![]() In 1919, d'Annunzio adopted the cinematographically depicted salute as a neo-imperial ritual when he led an occupation of Fiume. These included the 1914 Italian film Cabiria whose intertitles were written by the fascist poet Gabriele d'Annunzio. ![]() The gesture was further elaborated upon in popular culture during the late 19th and early 20th centuries in plays and films that portrayed the salute as an ancient Roman custom. In the United States, a similar salute for the Pledge of Allegiance known as the Bellamy salute was created by Francis Bellamy in 1892. The gesture and its identification with Roman culture were further developed in other neoclassic artworks. īeginning with Jacques-Louis David's painting The Oath of the Horatii (1784), an association of the gesture with Roman republican and imperial culture emerged. ![]() However, no Roman text gives this description, and the Roman works of art that display salutational gestures bear little resemblance to the modern Roman salute. In contemporary times, the former is commonly considered a symbol of fascism that had been based on a custom popularly attributed to ancient Rome. In some versions, the arm is raised upward at an angle in others, it is held out parallel to the ground. The Roman salute, alternatively called the Fascist salute, is a gesture in which the right arm is fully extended, facing forward, with palm down and fingers touching. The Oath of the Horatii (1784), by Jacques-Louis David
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